See Article History Alternative Title: The term typically describes large-scale canvases dominated by flat expanses of colour and having a minimum of surface detail. Colour-field paintings have a unified single-image field and differ qualitatively from the gestural, expressive brushwork of such artists as Jackson Pollock and Willem de Kooning. Colour-field painting was identified in the mids by the American art critic Clement Greenbergwho then used the term post-painterly abstraction to describe the next generation of work by a group of painters that included Morris LouisHelen Frankenthalerand Kenneth Noland.
Mark RothkoNo. During the late s and Colour field painting s Clement Greenberg was the first art critic to suggest and identify a dichotomy between differing tendencies within the Abstract Expressionist canon.
For Rothko, color was "merely an instrument. What is common among these stylistic innovations is a concern for "tragedy, ecstasy and doom". Bywhatever spiritual expression Rothko meant to portray on canvas, it was growing increasingly darker. His bright reds, yellows and oranges of the early s subtly transformed into dark blues, greens, grays and blacks.
His final series of paintings from the mids were gray, and black with white borders, seemingly abstract landscapes of an endless bleak, tundra-like, unknown country. Induring a subsequent semester teaching at the California School of Fine Art known today as the San Francisco Art InstituteRothko and Still flirted with the idea of founding their own curriculum or school.
Still was considered one of the foremost Color Field painters — his non-figurative paintings are largely concerned with the juxtaposition of different colors and surfaces. His jagged flashes of color give the impression that one layer of color has been "torn" off the painting, revealing the colors underneath, reminiscent of stalactites and primordial caverns.
Another artist whose best known works relate to both abstract expressionism and to color field painting is Robert Motherwell. Barnett Newman is considered one of the major figures in abstract expressionism and one of the foremost of the color field painters.
Newman himself thought that he reached his fully mature style with the Onement series from seen here. Newman is seen as one of the major figures in abstract expressionism and one of the foremost of the color field painters. In several paintings that Pollock painted after his classic drip painting period of —, he used the technique of staining fluid oil paint and house paint into raw canvas.
During he produced a series of semi-figurative black stain paintings, and in he produced stain paintings using color. In his November exhibition at the Sidney Janis Gallery in New York City Pollock showed Number 12,a large, masterful stain painting that resembles a brightly colored stained landscape with an overlay of broadly dripped dark paint ; the painting was acquired from the exhibition by Nelson Rockefeller for his personal collection.
In the painting was severely damaged by fire in the Governors Mansion in Albany that also severely damaged an Arshile Gorky painting and several other works in the Rockefeller collection. However, by it had been restored and was installed in Albany Mall. Gorky created broad fields of vivid, open, unbroken color that he used in his many of his paintings as grounds.
Another abstract expressionist whose works in the s call to mind the stain paintings of the s and the s is James Brooks. Brooks frequently used stain as a technique in his paintings from the late s.
Brooks began diluting his oil paint in order to have fluid colors with which to pour and drip and stain into the mostly raw canvas that he used.
These works often combined calligraphy and abstract shapes. His paintings straddled both camps within the Abstract Expressionist rubric, action painting and Color Field painting.
Her most famous painting from that period is Mountains and Sea as seen below. She is one of the originators of the Color Field movement that emerged in the late s.
Hofmann was renowned not only as an artist but also as a teacher of art, both in his native Germany and later in the U. Hofmann, who came to the United States from Germany in the early s, brought with him the legacy of Modernism.
Hofmann was a young artist working in Paris who painted there before World War I. Hofmann was one of the first theorists of color field painting, and his theories were influential to artists and to critics, particularly to Clement Greenberg, as well as to others during the s and s.
Returning to Washington, DC. Clement Greenberg included the work of both Morris Louis and Kenneth Noland in a show that he did at the Kootz Gallery in the early s. Clem was the first to see their potential. It also was one of the first stain pictures, one of the first large field pictures in which the stain technique was used, perhaps the first one.
Louis and Noland saw the picture unrolled on the floor of her studio and went back to Washington, DC.
Inhe started to use Magna — oil-based acrylic paints. InLouis moved to Washington, D. He and a group of artists that included Kenneth Noland were central to the development of Color Field painting.
Kenneth Noland, working in Washington, DC. Noland attended the experimental Black Mountain College and studied art in his home state of North Carolina. Noland studied with professor Ilya Bolotowsky who introduced him to neo-plasticism and the work of Piet Mondrian.
There he also studied Bauhaus theory and color with Josef Albers  and he became interested in Paul Kleespecifically his sensitivity to color.
Pollock asked to be tested by the same eye that could see how good Raphael was when he was good or Piero when he was good.“Colour Field Painting, a term coined by the American art critic Clement Greenberg, was used initially to describe the work of Abstract Expressionists such as Mark Rothko and Barnett Newman who composed their paintings with broad expanses of saturated colour,” explains the text in Art in Time.
Colour Field painting is a style of abstract painting that emerged in New York City during the s and s. It was inspired by European modernism and closely related to Abstract Expressionism, while many of its notable early proponents were among the pioneering Abstract Expressionists.
Famous art and artists in Color Field Painting with analysis of achievements and overall contributions to the movement.
The "field" part of the name "color-field painting" makes me think of agriculture. Those vast sweeps of grassland or golden wheatlands where the color shifts gently as the wind blows through the crop. Apr 01, · The Color Field movement is a painting style from the s characterized by large areas of color. A large cross-section was eecently on display in Washington. Important Art and Artists of Color Field Painting. The below artworks are the most important in Color Field Painting - that both overview the major ideas of the movement, and highlight the greatest achievements by each artist in Color Field Painting.
Feb 16, · What is Color Field painting and how can we better understand it? This episode is inspired by the Art Gallery of Ontario's current () exhibition - "A New Look: s and ’70s Abstract.
Important Art and Artists of Color Field Painting. The below artworks are the most important in Color Field Painting - that both overview the major ideas of the movement, and highlight the greatest achievements by each artist in Color Field Painting.
Colour field painting came about as a result of different independent attempts by Still, Rothko and Newman, during the late s, to create an eternal form of art which might transcend the ethical collapse triggered by the chaos and carnage of World War II: a type of painting that would speak for.